紀錄片傳主林義方（1926-2018），民國15年（大正15年）出生於嘉義，青年時期前往日本廣島留學，1945年廣島原爆期間，因恰巧出勤離開廣島市，而幸運的在這次災難中倖存。1946年2月從日本返國後，隨即投入國民教育，1947年又遇二二八事件。這一段流變、離散與居所難以定錨的狀態，以及面對歷史事件猶如失語的情感壓抑，反映出當時部分嘉義市民面臨時代困境的縮影，突顯出嘉義市獨特的歷史容貌。本片以訪談結合田野、重演與非虛構的穿插，試圖塑造私歷史及大時代間的對話及隱喻關係。 　　The film director, Hong Jun-yuan, hails from Chiayi, Taiwan, by way of marriage to a local. His work interweaves the remarkable contributions of his wife’s grandfather from the Japanese colonial era, reflecting the minor yet significant events in the daily lives of Chiayi’s residents during that historical period. Starting with the family history narrative, the discussion delves into the everyday experiences of regular individuals amid major historical shifts. It outlines how pivotal historical junctures have affected individual lives. Moreover, by adopting the perspective of ordinary people, it reconstructs the dispersion and transformations brought by key historical events such as the Pacific War, the Hiroshima atomic bombing, and the issue regarding Taiwan’s sovereignty in relation to the Republic of China. The incorporation of scenes from the markets in Chiayi County and City within the film, juxtaposed with a comparison between the past and present, provides viewers with a retrospective glimpse into the life journey as it unfolds against the backdrop of changing historical eras.The protagonist of the documentary, Yifang Lin (1926-2018), was born in Chiayi in the 15th year of the Republic of China (Taisho 15th year). When he was young, he went to Hiroshima, Japan to study with his elder brother. During the atomic bombing of Hiroshima in 1945, he happened to leave Hiroshima because of work and survived this disaster.

Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-deep. A night of closure turns out to be far more final than they could have anticipated.

現代の京都の町を舞台に、男1,000人喰いを目標に、日夜ハッテンバに出入りする弁介という男が、大願成就寸前、1,000本目の男として出会ったのは、義経という、美少年だった。

一个16岁的男孩坚信自己将来会成为一个音乐巨星，尽管在这个小镇上的其他人都不这么认为，直到一位著名的音乐家的儿子来到了这里并帮助他排练他的才艺秀节目，他们在互相学习的过程中也逐渐变得更加亲密。

凯特琳·布罗维雅科，一位五十岁左右的女性，是假释机构的负责人。她负责雨果的案子，雨果是一位25岁的年轻男子，刚刚出狱，她任由他摆布陷入一段危险的关系。她逐渐地意识到这对她的家庭和婚姻的危害，以及她对这位危险的年轻操控者毁灭性的激情所带来的危害。从那一刻起，凯特琳不惜一切代价要保护她的家、她的丈夫以及她的儿子免受她给他们生活带来的威胁……

八频道新剧集项目 　　费卡姆不得不从她已故的母亲那里勉强继承了卡的精神。它可以通过舔她的脸让她更漂亮，但也给了她一个可怕的形式。这个卡的灵魂曾经是一个美丽的女人，被称为公主Oenglong谁是残酷和邪恶的。现在，恩龙强烈地想要报复任何在她活着时伤害过她的人。 　　即使在她死后，费卡姆的母亲的灵魂仍然被卡强 大的控制着。现在费卡姆不仅要从邪恶的卡魔爪下拯救她自己，还要拯救她的母亲。 　　有一天，法伊坎有机会在皇宫工作，为恩龙提供了复仇的机会。 　　~~根据北方民间的鬼怪传说故事改编，讲述一个邪恶的灵魂潜伏在一个木制木偶中， 　　Faikham has to unwillingly inherit the spirit of Ka from her late mother. It can make her more beautiful by licking her face, yet gives her a terrifying form too. This spirit of Ka was once a beautiful woman, called Princess Oenglong who was brutal and evil. Now Oenglong strongly desires revenge on anyone who hurt her when she was alive. 　　Even after her death, the spirit of Faikham's mother is still stuck under Ka's powerful control. Now Faikham not only has to save herself but also her mother from the claws of evil Ka. 　　One day, Faikham has a chance to work in the palace, opening up an opportunity for Oenglong to take revenge. 　　~~ Based on a Northern folk legend, of an evil spirit that lurks in a wooden puppet

一个16岁的男孩坚信自己将来会成为一个音乐巨星，尽管在这个小镇上的其他人都不这么认为，直到一位著名的音乐家的儿子来到了这里并帮助他排练他的才艺秀节目，他们在互相学习的过程中也逐渐变得更加亲密。

同じ大学のサークル仲間で先輩と後輩の大智と千夏。一年前、サークルの合宿で大智の叔母・小夜子が営む民宿へ来た時、酔った大智は千夏を連れて近くの海へ散歩に行った。来年の合宿もここならまた来ようと約束し、その時から千夏は大智を想い続けている。 　　一方、大智は恋人の麻利絵を母親に会わせる日取りも決まった。だが、誇らしげな大智と裏腹に、麻利絵の気分は下降し、当日ドタキャンしてしまう。心配した大智は麻利絵の部屋に向かい、彼女に裏切られていたことを知る。 　　大智は逃げるように小夜子の民宿へ向かい、しばらく世話になる事にした。そんな彼の突然の頼みにも、嫌な顔ひとつせず温かく迎えてくれた。 　　小夜子の夫は仕事で忙しく、よく家を空けた。夫を愛しているが、その寂しさから便利屋・上田と親密な関係となった。大智は上田から卒業したら一緒に働かないかと、半ば強引に誘われる。 　　その頃、急に大学に来なくなった大智を追いかけ、千夏が民宿のに現れた。母から行き先を聞いたという千夏に驚く大智。去年の出来事や約束などまるで覚えていな彼は、千夏を冷たくあしらう…。